Book Genre: Nonfiction

Worldcat: Worldcat Persistent Link

In a world where addictive technology is designed to buy and sell our attention, and our value is determined by our 24/7 data productivity, it can seem impossible to escape. But in this inspiring field guide to dropping out of the attention economy, artist and critic Jenny Odell shows us how we can still win back our lives.

Odell sees our attention as the most precious—and overdrawn—resource we have. And we must actively and continuously choose how we use it. We might not spend it on things that capitalism has deemed important … but once we can start paying a new kind of attention, she writes, we can undertake bolder forms of political action, reimagine humankind’s role in the environment, and arrive at more meaningful understandings of happiness and progress.

Far from the simple anti-technology screed, or the back-to-nature meditation we read so often, How to do Nothing is an action plan for thinking outside of capitalist narratives of efficiency and techno-determinism. Provocative, timely, and utterly persuasive, this book will change how you see your place in our world.

--publishers website

Worldcat: Worldcat Persistent Link

From the publisher's website:

Worldcat: Worldcat Persistent Link

From Publishers Weekly:

In early 1864, heading back to Australia after a failed mining expedition, the crew of the Grafton encountered a violent storm and found themselves shipwrecked in the Auckland Islands, off the coast of New Zealand. Druett, a maritime historian (In the Wake of Madness ), draws upon the journals of the ship's captain, Thomas Musgrave, and prospector François Raynal to reveal how the crew pulled together and made the best of their circumstances for nearly two years. By contrast, when the Invercauld ran aground on the other side of the island months later—beyond an impassable mountain range, and hence unaware they were not alone—the surviving sailors quickly began eating their dead crewmates out of desperation. Soon, only three remained, the ineffectual captain and another officer being kept alive by a resourceful seaman. Druett tells the two stories in strict chronological order, allowing readers to become familiar with the Grafton party before weaving the Invercauld survivors into the narrative. She zeroes in on the salient details of their ordeals, identifying the plants that kept the castaways from contracting scurvy or sketching out an improvised recipe for soap with equal aplomb. This is a fine addition to the genre of survival tales like Endurance or In the Heart of the Sea .

Worldcat: Worldcat Persistent Link

After thirty-five years as a book editor in New York City, Ann Patty stopped working and moved to the country. Bored, aimless, and lost in the woods, she hoped to challenge her restless, word-loving brain by beginning a serious study of Latin at local colleges.

As she begins to make sense of Latin grammar and syntax, her studies open unexpected windows into her own life. The louche poetry of Catullus calls up her early days in 1970s New York, Lucretius elucidates her intractable drivenness and her attraction to Buddhism, while Ovid’s verse conjures a delightful dimension to the flora and fauna that surround her. Women in Roman history, and an ancient tomb inscription give her new understanding and empathy for her tragic, long deceased mother.  Finally, Virgil reconciles her to her new life—no longer an urban exile, but a rustic scholar, writer and teacher.  Along the way, she meets an impassioned cast of characters: professors, students and classicists outside of academia who keep Latin very much alive.

Written with humor, heart, and an infectious enthusiasm for words, Patty’s book is an object lesson in how learning and literature can transform the past and lead to an unexpected future.

Worldcat: Worldcat (permalink)

"Composed in the difficult years since [having written a now-famous essay about having faith in the face of death] and completed in the wake of a bone marrow transplant, [this book] is a ... meditation on what a viable contemporary faith--responsive not only to modern thought and science but also to religious tradition--might feel like"--Dust jacket flap of hardcover ed.

Worldcat: Worldcat persistent link.

Desperate to connect with his native Galloway, Patrick Laurie plunges into work on his family farm in the hills of southwest Scotland. Investing in the oldest and most traditional breeds of Galloway cattle, the Riggit Galloway, he begins to discover how cows once shaped people, places and nature in this remote and half-hidden place. This traditional breed requires different methods of care from modern farming on an industrial, totally unnatural scale.

As the cattle begin to dictate the pattern of his life, Patrick stumbles upon the passing of an ancient rural heritage. Always one of the most isolated and insular parts of the country, as the twentieth century progressed, the people of Galloway deserted the land and the moors have been transformed into commercial forest in the last thirty years. The people and the cattle have gone, and this withdrawal has shattered many centuries of tradition and custom. Much has been lost, and the new forests have driven the catastrophic decline of the much-loved curlew, a bird which features strongly in Galloway's consciousness. The links between people, cattle and wild birds become a central theme as Patrick begins to face the reality of life in a vanishing landscape.--Publisher's website