Book Genre: Nonfiction

Worldcat: Worldcat Persistent Link

In 1937, Adam Nicolson's father answered a newspaper ad for a small cluster of three islands--The Shiants (Gaelic meaning 'holy' or 'enchanted')--which lie east of the Outer Hebrides of Scotland. Sheer black cliffs drop five hundred feet into the cold, dark, rip currents of the Minch, lounging seals crowd at their feet and thousands upon thousands of sea birds swarm overhead in the sky. Nicolson inherited the islands when he was twenty-one and in this spellbinding and luminous book, he recalls his keenly deep connection to the wild, windswept, and yet enchantingly beautiful property. Not merely a haven of solitude, the islands, with a centuries-old past haunted by restless ghosts and tales of ancient treasure, came to be for Nicolson his heartland and a 'sea room'--a sailing term he uses to mean 'the sense of enlargement that island life can give you.' In passionate, prismatic prose, Sea Room celebrates this extraordinary landscape, exploring Nicolson's complicated relationship to the paradoxes of island life and the wonder of revelatory engagement with our natural world. -- Publisher's website

Worldcat: Worldcat Persistent Link.

After finishing his powerful memoir The Return, Hisham Matar, seeking solace and pleasure, traveled to Siena, Italy. Always finding comfort and clarity in great art, Matar immersed himself in eight significant works from the Sienese School of painting, which flourished from the thirteenth to the fifteenth centuries. Artists he had admired throughout his life, including Duccio and Ambrogio Lorenzetti, evoke earlier engagements he’d had with works by Caravaggio and Poussin, and the personal experiences that surrounded those moments.

Including beautiful full-color reproductions of the artworks, A Month in Siena is about what occurred between Matar, those paintings, and the city. That month would be an extraordinary period in the writer’s life: an exploration of how art can console and disturb in equal measure, as well as an intimate encounter with a city and its inhabitants. This is a gorgeous meditation on how centuries-old art can illuminate our own inner landscape—current relationships, long-lasting love, grief, intimacy, and solitude—and shed further light on the present world around us. --publishers website

Worldcat: Worldcat Persistent Link

The sentence is the common ground where every writer walks. A good sentence can be written (and read) by anyone if we simply give it the gift of our time, and it is as close as most of us will get to making something truly beautiful. Using minimal technical terms and sources ranging from the Bible and Shakespeare to George Orwell and Maggie Nelson, as well as scientific studies of what can best fire the reader's mind, author Joe Moran shows how we can all write in a way that is clear, compelling and alive. Whether dealing with finding the ideal word, building a sentence, or constructing a paragraph, First You Write a Sentence informs by light example: much richer than a style guide, it can be read not only for instruction but for pleasure and delight. And along the way, it shows how good writing can help us notice the world, make ourselves known to others, and live more meaningful lives. It's an elegant gem in praise of the English sentence. -- Publisher

Worldcat: Worldcat Persistent Link

From the publisher's web site:

Once an essential skill, the ability to build a clinker boat, first innovated by the Vikings, can seem incomprehensible today. Yet it was the clinker, with its overlapping planks, that afforded us access to the oceans, and its construction has become a lost art that calls to the do-it-yourselfer in all of us. John Gornall heard the call.

A thoroughly unskilled modern man, Gornall set out to build a traditional wooden boat as a gift for his newborn daughter. It was, he recognized, a ridiculously quixotic challenge for a man who knew little about woodworking and even less about boat-building. He wasn’t even sure what type of wood he should use, the tools he’d need, or where on earth he'd build the boat. He had much to consider…and even more to learn.

But, undaunted, he embarked on a voyage of rediscovery, determined to navigate his way back to a time when we could fashion our future and leave our mark on history using only time-honored skills and the materials at hand. His journey began in East Anglia, on England’s rocky eastern coast. If all went according to plan, it would end with a great adventure, as father and daughter cast off together for a voyage of discovery that neither would forget, and both would treasure until the end of their days.

How to Build a Boat celebrates the art of boat-building, the simple pleasures of working with your hands, and the aspirations and glory of new fatherhood. 

AUGUST 16, 2016

Looking back, I suppose that at the time the decision to build you a boat must have seemed like a really terrific idea. Did I pause, even for a moment, to consider whether your daddy—a soft-handed, deskbound modern man with few tools, limited practical abilities, and an ignominious record of DIY disaster—could possibly master the necessary skills?

More than two years on, it’s hard to remember. But I do know that in the weeks and months after you were born I found myself in a strange, unfamiliar place. Oddly, perhaps, I wasn’t worried about the challenges of raising a child at my age. But, as I paced the floor night after sleep-deprived night with this inexpressibly precious new life in my arms, my mental compass swung wildly from emotionally charged elation to morbid musings about your future and—as a father, for the second time, at fifty-eight—my chance of playing much of a part in it.